0:00 - Why I Microwave My Lobster 0:49 - Nuked Potatoes 1:42 - When Chef Mike Knows Best 2:52 - Why Microwave Recipes Don't Exist 4:16 - In Conclusion... 4:55 - Ad for Factor
So, here’s the deal: after we dropped this comic and it turned out to be a success, we felt this itch—an almost physical urge—to revisit it. Not to remake it per se, but to refine, to tweak, to smooth out those minor imperfections that only become visible in hindsight, like hairline cracks in a mirror that otherwise reflects something whole.
Then, along comes this offer from a print studio, and not just any print studio but one with three locations across the globe, which is kind of a big deal if you think about it. Their whole operation is basically the dream scenario for anyone who cares about what they’re producing: colors that aren’t just bright but seem to vibrate on some kind of metaphysical level, like they’ve bypassed your retina and gone straight to the part of your brain responsible for wonder. And let’s not forget the paper. This isn’t your run-of-the-mill, office supply store stuff. We’re talking thick, textured, almost sinfully durable paper. Like, you could probably frame this without glass, and it would still hold up against the minor apocalypses that tend to occur in your living room.
Speaking of frames—another thing. They’ve got this black one that’s absurdly high-end, so good that they don’t just frame the print, they frame you, like they re-contextualize your entire existence as someone who actually cares about aesthetics. Which, if we’re being brutally honest, is part of the reason for the price, and we get it: some of you have raised an eyebrow or two about the cost, and we don’t blame you. But here’s the thing: The price isn’t arbitrary. It’s a function of the quality and the ethically sound supply chain. Yes, it’s on the higher end of the spectrum. Yes, it’s an investment. But imagine this: your artistically disaffected friends and the snobbish dinner guests whose approval you secretly crave? They’re going to stand in front of this print, struck dumb, maybe for the first time in their lives, because they’re faced with something they can’t cynically deconstruct. And isn’t that worth it?